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Wearyingly trite production portrays the late singer as a saintly perfectionist
Erina Takahashi leads a staging that is elegant and fast-moving
The visiting company’s programme of mostly 21st-century works is a mixed affair
Standards were high, yet this triple bill was oddly underwhelming
Admirable performances enlivened Christopher Wheeldon’s ballet
A classy production of the 1947 musical that seems ready for Broadway
From rooftop saunas and supper clubs to Leonard Bernstein’s centenary
The programme was a mixed affair, redeemed by the alert physicality of its casts
21st Century Choreographers programme includes pieces by four rising stars
Christopher Wheeldon’s Lewis Carroll adapation reveals a company on fine form
Conventional fare was mixed with contemporary work in this re-opening programme
A Royal Ballet quadruple bill featured the bold sweep of Liam Scarlett’s new piece
New York City Ballet’s Here/Now Festival opened with four pieces by the choreographer
Christopher Wheeldon’s witty choreography is the star of this lavish musical
A production of Bizet’s opera hit by withdrawals was an unexpected success
Christopher Wheeldon’s ballet is a graphic exploration of both political and natural power
A new work by Wayne McGregor plus pieces by MacMillian and Wheeldon made for a satisfying sandwich
Christopher Wheeldon’s new piece unfolds to George Gershwin’s mercurial ‘Rhapsody in Blue’
Christopher Wheeldon’s ‘Mesmerics’ is the most impressive of two dance pieces
Christopher Wheeldon’s new dance piece says little about its protagonists or their world
Dutch National Ballet’s performance of Wheeldon’s piece seemed dutiful rather than moving
The omissions, predictions and sure bets on this year’s list
This ambitious Franco-American co-production deserves to become a repertoire standard
A theatrical response worthy of every Lewis Carroll trick
The Royal Ballet’s triple bill seemed designed to scare audiences, rather than attract them
International Edition