A quadruple bill that told an engaging story

Vadim Muntagirov and Marianela Nuñez gave Liam Scarlett’s production premiere the best possible start in life

This rarely staged piece showed how the choreographer dug deep into the history of dance

Ensembles cluster and flow in Formosa, Lin Hwai Min’s celebration of his home island

A free two-week teaser offers a hint of things to come, a year ahead of the Manhattan cultural centre’s opening

In 1987 the Royal Ballet controversially ditched the classical costume. Now, after painstaking effort, it is set for a comeback

The timely premiere of a loose-limbed new piece formed part of a triple bill

DeNada Dance Theatre’s latest is a gender-fluid tale of colonialism, racism, misogyny, trans- and homophobia

Benjamin Millepied’s tiny company punches (and kicks) above its weight

A fascinating programme of MacMillan’s work, curated and directed by former Royal Ballet star Viviana Durante

A programme that had something to delight — and infuriate — every taste

Two works by the choreographer shone in an otherwise uneven programme

Childs’s new piece for the Martha Graham Dance Company is a powerful response to the great choreographer

The Berlin-based company showcased works for older dancers

A programme that revealed the company’s flaws as well as its strengths

The choreographer’s youth company gave their all at the Théâtre de la Ville — Abbesses

The Russian dancer led a first-rate cast in Kenneth MacMillan’s ballet

Dada Masilo’s version, set in rural South Africa, yanks the original’s subtext of sexual and class violence to the surface

Artistic director Alistair Spalding on new works and new audiences

‘I had Michael Jackson’s jacket from the “Thriller” video. I wore it everywhere’

BalletLorent’s dance adaptation is a workaday affair

A fitting farewell for Marie-Agnès Gillot, one of Paris Opera Ballet’s all-time greats

Last Resistance, a new piece combining dance with live music, was the highlight of this programme of collaborations

This celebratory programme was greeted with affection

A premiere illustrated how other choreographers have affected Petronio’s work