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The ENB’s first world war commemoration, as seen from a female perspective, comprises three works similar in scale and mood
Through reconstruction and exhibition the museum highlights how the group stretched radical ideas to the extreme
The Royal Ballet star was well-partnered but the programme underused her powers
Great ballets and ballerinas conjured up with minimal scenery, budget tutus and hairy chests
An exploration of choreography’s origins was a fine blend of contemporary dance, acrobatics and circus
Excellent casts found the emotional truth in the choreographer’s grand, stylised works
As the Swan Queen Irina Kolesnikova is all vulnerable shyness and Denis Rodkin is coolly elegant as Prince Siegfried
The outdoor dance festival devoted two hours to the north Indian Kathak discipline
The choreographer’s Monotones is the highlight of the company’s programme
Set to Schubert, ‘The Trout’ is joyous but offers little drama for its dancers to convey
The acclaimed Russian classical ballerina talks about striking out in new directions in her upcoming programme at Sadler’s Wells
The female stars in the all-Cuban cast bring dramatic force to this adaptation of Bizet’s opera
Public spaces were the setting for this sporadically successful dance festival
Choreographer Janis Claxton’s site-specific pieces were well suited to their urban setting
Rameau’s opera-ballet is a revelation in this new production
Choreographer Serge Aimé Coulibaly’s new dance piece struggles to build on its initial wave of excitement
The choreographer’s pieces explore the human mind as much as the body
Lucinda Childs’ 1983 piece is revived in all its near-nondescript purity
The central idea of life after love never quite comes into focus, though individual vignettes touch the heart
A spirit of open-hearted eclecticism suffused Manhattan’s annual tap showcase
The dancer explores her own pregnancy in this disarmingly honest production
Pam Tanowitz’s piece is a dance to the music of T.S. Eliot’s poetry
The dancers respond well to Bach’s music — but the piece’s limitations soon become apparent
Birmingham Royal Ballet’s production is pure delight — and the pony is perfectly behaved
The visiting company’s programme of mostly 21st-century works is a mixed affair
