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Lila Neugebauer’s staging has a cool, unhurried rhythm and the play unfolds in an atmosphere of quiet despair
Peter Auty acts with ferocious abandon, rousing inspirational zeal from his high-lying lead role
Max Webster’s modern-dress reading brings an ecologically aware twist to the light-hearted production
Directed by Sam Mendes, the National Theatre’s production rattles through 160 years of history to explain the bank’s collapse
An open-air staging that turns Sophocles’ drama into a passionate cry for justice
A 10-hour adaptation of three novels charts the evolution of terrorism
Eeriness is the order of the day in Thomas Jolly’s staging of Seneca’s tragedy
FT critics review the latest and best shows in the West End, across the capital and the UK
This drama about the migrant camp is designed for maximum impact
The Poldark star revels in the insanity of Martin McDonagh’s darkly funny Troubles-set play
Bartlett Sher’s production, first seen on Broadway, is a winning blend of lavishness and nuance
This Joan Littlewood bio-musical is informative, but doesn’t do justice to her groundbreaking work
The RSC’s staging of Robert Harris’s novels rolls out with the pace and grip of a political box-set
Jemma Kennedy’s play has many entertaining strands which don’t quite tie together
FT critics review the latest shows on Broadway and beyond
Tragedy and mischief combine in this story of a family and their troubled father
Keen is first-rate as Leontes and is matched by the underrated Sirine Saba as Paulina
For 10 years, politicians have been grappling with the collapse of Lehman Brothers. Now, it’s the turn of the theatre
The star exudes self-deprecating charm in Dennis Kelly’s sharply observed one-woman play about modern romance
Cordelia Lynn’s play challenges cleverly challenges a range of liberal assumptions
David Ireland’s play explores sectarian hatred in contemporary Northern Ireland
Mufaro Makubika’s play powerfully depicts the uncertainty experienced by Windrush-era immigrants
Elusive and capricious, it is one of Shakespeare’s enduring characters. But how to inhabit him?
Vanity and hypocrisy are exposed in Joshua Harmon’s new black comedy
English National Opera brightens up its summer with this shrewd revival of the musical
