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An invigorating array of movies also included Key and Peele in animation ‘Wendell & Wild’ and Korea’s beguiling ‘Walk Up’
Giselle required an understudy to step up, while A Midsummer Night’s Dream lacked purpose
The visiting company’s programme of mostly 21st-century works is a mixed affair
Benjamin Millepied’s tiny company punches (and kicks) above its weight
‘La Flûte enchantée’ was a fitting tribute to choreographer Maurice Béjart
A programme of works by Peck, Cunningham and Millepied yielded mixed results
Paris Opera Ballet’s programme paired two giants of dance
Solo performances were the highlights of Balanchine’s awkwardly constructed ballet
Three works by the Czech choreographer provide an unexpected winter treat
The dancers responded to Pite’s new work with wholehearted commitment
Covering the extremes of dance and ballet, the troupe achieved a seemingly impossible mission
A rare chance to compare and contrast leading ballet troupes from the old and new world
Forsythe’s vast classical vocabulary puts to shame many ballet choreographers working today
A brand-new piece by Benjamin Millepied helped lift a programme of otherwise variable quality
Benjamin Millepied’s dancers make an unrewarding forray into contemporary choreography
A refreshingly sober evening of American miniatures from Paris Opera Ballet
Cartier’s unlikely precious material, Van Cleef-inspired ballet and other jewellery developments
The triple bill that followed Benjamin Millepied’s resignation felt in many ways like a postmortem
Benjamin Millepied seeks to revolutionise the Paris Opera Ballet ensemble; Boris Charmatz sends it pirouetting through the past
A lightweight bill of small-scale works was enlivened by a lesson in critical thinking
The company’s emerging young dancers brought style and elegance to Nureyev’s production
In a mixed bill of contemporary works, the choreography struggles to do justice to its dancers
Lyon Opera Ballet’s Forsythe programme helps join the dots in the choreographer’s body of work
Director Brigitte Lefèvre’s farewell programme highlights the company’s strengths and weaknesses
Paris Opera Ballet shows off its neoclassical nous in a double bill of Balanchine and Millepied
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