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Marianela Núñez has danced the role since 2003 and still displays all the fairy gifts
Vadim Muntagirov and Marianela Núñez reassert the choreographer’s genius in a sparkling programme
The production may have lost Edward Watson to injury, but the company’s other talents shone brilliantly
Vadim Muntagirov and Marianela Nuñez gave Liam Scarlett’s production premiere the best possible start in life
The dancer was the star of this outstanding production at the Royal Opera House, London
Frederick Ashton’s frothy ballet makes a welcome return to Covent Garden
Conventional fare was mixed with contemporary work in this re-opening programme
A Royal Ballet quadruple bill featured the bold sweep of Liam Scarlett’s new piece
The Royal Ballet is at its finest in Kenneth MacMillan’s dance drama
Balanchine’s three dance movements were, like the gems that inspired them, flawless
The choreographer’s latest piece is a powerful evocation of fleeing hordes of humanity
Acosta and soloists relive some of the highlights of his repertoire
Acosta himself danced five pieces in an evening that had few weaknesses
Both castings for Ashton’s love story were pitched perfectly
Established works were well danced, but Carlos Acosta’s new ‘Carmen’ is an unhappy staging
Marianela Nuñez has fine moments in the title role, but Francesca Hayward has the better partner
Though the staging and costumes were admirable, much of this first-night performance resembled a dress rehearsal
This triple bill offers the chance to see Britain’s national ballet shaping its future, with the cream of its dancers on stage
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