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Tom Hollander and Will Keen excel in Peter Morgan’s riveting new drama. Plus: Emilia Clarke in The Seagull; Peaky Blinders goes immersive
His production of the French classic, fascinated with language and loneliness, is returning to the West End
Two programmes of one-act Pinter plays celebrate his unsettling dramatic world
Alexi Kaye Campbell’s play is flawed, but has a corker of a central role
Faustus’s pact with the devil plays out in Vegas, but the opportunity for mischief is squandered
Staged with deliberately macho swagger, the family drama emerges as a study of territorial powerplay in an all-male household
Jamie Lloyd’s revival of a brilliant musical revue about the killers and would-be killers of US presidents
This revival of the Broadway hit makes a virtue of clever parody, musical allusion and taking the . . . mickey
Caledonian overload: Jamie Lloyd’s Shakespeare production tries too hard for its own good to be “the Scottish play”
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