Add this topic to your myFT Digest for news straight to your inbox
Rameau’s opera-ballet is a revelation in this new production
Italian Bel Canto meets French Baroque in this double bill at the Gerald W. Lynch Theater
Simon Rattle turned to smaller works for his first Barbican concert of 2018
A production of Rameau’s opera that reads like a succession of poor decisions
Rameau’s opera-ballet, unperformed since 1745, seethes with invention
A production of Rameau’s opera that was a pleasing example of European co-operation
The Early Opera Company’s concert performance of Rameau’s opera was subtle and expressive
In this first recording, the opera tells its gentle tale of a love triangle with typical Enlightenment grace
Mahan Esfahani plays with virtuoso flair, and rapidly changing registrations to create a kaleidoscope of varied sounds
Why 18th-century composer Jean-Philippe Rameau is making a belated debut at Glyndebourne this summer
No UK opera house has dared to risk baroque’s third man, Jean-Philippe Rameau, on its own stage – until now
International Edition