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From ‘Obsession’ to a remake of ‘Fatal Attraction’, the latest wave ranges from the awkward to the downright hilarious
An adaptation of David Cronenberg’s film blends queasy thrills with sociopolitical commentary on Amazon Prime Video
This year’s event showcases an unprecedented number of films made by women — and “it wasn’t a struggle to find them”
Yorgos Lanthimos’s re-creation of Queen Anne’s court blows the cobwebs off costume drama
The true story of a would-be round-the-world yachtsman becomes a spellbinding film
Director James Marsh on Brexit, a heroic failure at sea and a country in love with its own past
Roger Michell’s lavishly dolled-up adaptation of Daphne du Maurier’s 1951 novel
It is the Holocaust itself that is on trial here. Right prevails, on screen as it did in real life
The actors try their best but the drama never builds in this Daphne du Maurier adaptation
David Hare’s terrific script gives topical resonance to a Holocaust-denial court case
An abandoned baby is at the heart of a drama with a spectacular setting
Rachel Weisz brings impressive emotional range to this revival of David Hare’s play
Hotels featured in films have benefited from the association even when storylines take a darker turn
The filmmaker’s skewed visions have made him one of Europe’s most intriguing talents
Daniel Craig and Rachel Weisz star in a skilfully staged production of Pinter’s 1978 drama
Steven Soderbergh’s thriller mixes paranoia and pharmaceuticals, Frank Langella forms an engaging double act with a robot, plus the prequel to a cinema classic
A nominee will ensure eyeballs on a pre-fall dress and, ideally, consumers in stores
‘The Bourne Legacy’, now showing in the US and UK, is more fashion-sensitive than its predecessor
This week’s new film releases reviewed: ‘The Bourne Legacy’, ‘The Expendables 2’, ‘Take This Waltz’, ‘The Bird’, ‘The Devil’s Business’
This week’s new film releases reviewed: ‘Brave’, ‘The Forgiveness of Blood’, ‘360’ ‘Ai Weiwei: Never Sorry’, and ‘The Dinosaur Project’
Nigel Andrews reviews ‘The Deep Blue Sea’ by Terence Davies and ‘My Week with Marilyn’ by Simon Curtis
International Edition