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William Forsythe’s works were performed impressively, despite injuries to a number of principals
A half-hour of classical choreography set to songs by James Blake will stream online in May
The choreographer continues his fascination with the building blocks of classical dance
The visiting company’s programme of mostly 21st-century works is a mixed affair
Two works by the choreographer shone in an otherwise uneven programme
The programme’s one new work, by Jérôme Bel, was the weakest
Conventional fare was mixed with contemporary work in this re-opening programme
A Royal Ballet quadruple bill featured the bold sweep of Liam Scarlett’s new piece
Paris Opera Ballet’s programme paired two giants of dance
English National Ballet’s dancers perform Pina Bausch’s choreography with integrity and intensity
The Dresden company soared in William Forsythe’s masterpiece ‘Impressing the Czar’
The dancers responded to Pite’s new work with wholehearted commitment
A dance dialogues between the baroque and the classical, followed by flamenco and contemporary Catalan dance
Forsythe’s vast classical vocabulary puts to shame many ballet choreographers working today
New works were mostly inward-looking, with ingredients that threaten to become formulaic
A triple bill that revealed the ambitions of Ballett am Rhein director Martin Schäpfler
Benjamin Millepied seeks to revolutionise the Paris Opera Ballet ensemble; Boris Charmatz sends it pirouetting through the past
International Edition