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Maverick Ukrainian director Vlad Troitskyi has created a work that’s muddled but has much to marvel at
The issue of whether directors only cast black actors when the script says black remains
Michael Attenborough’s absorbing and distressing production focuses on the domestic repercussions of the family breakdown
Tim Crouch’s staging for young people has brilliant touches but the reduced cast’s role-doubling is apt to confuse
The experiences of a minor character are the focus of a new play at the Royal Shakespeare Company
This week’s film releases reviewed: ‘Ill Manors’, ‘Woody Allen: A Documentary’, ‘The Pact’, ‘Casa de mi Padre’ and ‘Red Tails’
Marianela Núñez gives a ravishing performance in this newly revised version of MacMillan’s last full-length ballet
To pick on one of the most vulnerable and stigmatised groups in society – the unloved – is irresponsible and mean
This deluge of ceaseless communication by tweets, blogs and Facebook strikes me as strange
A bad dream gives the best magical reasons for holding five-day Test matches
This first English opera of Shakespeare’s play feels like hard going
Entrepreneurs do not create companies by being lone geniuses but by deploying the skills of others
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