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Julia Bullock, Davóne Tines and J’Nai Bridges incarnate episodes from the early life of Jesus in this opera-oratorio
Soprano Lise Davidsen and cellist Sheku Kanneh-Mason were the soloists in a brisk programme
From the Chicago Symphony Orchestra at Ravinia to Tristan und Isolde in New Mexico
Two concerts that added to the broader picture of the composer’s life and times
This peculiar, repetitive work was further marred by a self-satisfied video
Why Bernstein's 'Mass' is as relevant today as it was when it premiered in 1972
On the great musician’s centenary, Richard Fairman reflects on his wide-ranging genius
Marin Alsop conducted a Barbican concert that explored the composer’s Jewish roots
Mark-Anthony Turnage’s new percussion piece made a striking centrepiece to this London concert
Highlights of this celebration at London’s Barbican were brief, playful and punchy
A light-hearted and enjoyable conclusion to the season
Venezuelan virtuoso Gabriela Montero gave an idiosyncratic performance of Grieg’s Piano Concerto
Marin Alsop conducted with insight and passion, though the orchestra sounded ragged on occasion
The UK premiere of James MacMillan’s ‘Woman of the Apocalypse’ was an exhilarating experience
The Last Night featured splendid moments from Jonas Kaufmann but declined into musical bonbons
Marin Alsop conducted an all-Brahms performance that was well prepared but somewhat understated
The contemporary music festival opened with an evening captivating, promising premieres
World’s largest music festival unveils programme
This jazz-infused novelty, here receiving its UK premiere, is vigorous enough, but says little
Preserved programmes indicate lots of British composers, no new German music and women in the orchestra
A high-energy, vividly coloured concert conducted by Marin Alsop
The author and economist on gender equality, Lady Gaga’s performance at the Roundhouse, and what ‘British’ stands for today
Conductor Marin Alsop made history as she presided over a commendably fast-moving Last Night
‘I think EQ is more important than IQ in this day and age,’ says the musical director and conductor
Petrenko has stirred controversy this week but his Bruckner and Beethoven did little to stir the Proms audience
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