An opera that ravishes the eye and seduces the ear
The score is entrancing, but the magic of Carroll’s book is lost in Unsuk Chin’s slow-moving opera
David Henry Hwang’s play nimbly tackles knotty questions of how ethnicity is represented on stage
David Henry Hwang’s drama about Bruce Lee is at its best in its dialogue-free moments
American boy meets Chinese girl: Zayd Dohrn’s play has geopolitical resonance but its focus is a bittersweet tale of love across a linguistic divide
At the Canton Fair, almost everyone spoke enough English to get by just fine
International Edition