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Dmitri Tcherniakov’s production of Bizet’s opera moves from hysterical laughter to genuine horror
Two concerts at London’s Royal Festival Hall found fascinating links between Korean and European composers
Alexander Melnikov shows how effective his 1837 Erard piano sounds
Isabelle Faust is the soloist in an unusual performance on gut strings of the composer’s late, neglected concerto
Celebrations begin early for the 90th birthday of the orchestra’s conductor emeritus, Pierre Boulez
A beautifully executed programme from one of New York’s ‘lesser’ musical institutions
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