A virtually full production of the musical, with sizzling playing from The John Wilson Orchestra
Georg Friedrich Haas’s new work aims to conjure the metaphysical domain that lies beyond words
The choir handled a sudden cancellation with aplomb, expertly singing three English choral pieces
The young pianist shimmered and dazzled in a lunchtime Prom
The composer’s most successful opera underscores her gift for concision and sound-pictures of sophisticated lyricism
In an evening that tried to pack in too much, the soprano-pianist partnership of Louise Alder and Gary Matthewman stood out
The first-night success of Judith Weir’s new opera owed much to the musical mastery of conductor Paul Daniel
A flâneur for our times loses his bearings in New York
Italians open first weekend on a high note
International Edition