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It is the Holocaust itself that is on trial here. Right prevails, on screen as it did in real life
David Hare’s terrific script gives topical resonance to a Holocaust-denial court case
Amma Asante’s period drama is not so much a piece of cinema, more an illustrated lecture
This week’s films reviewed: ‘Rampart’, ‘The Best Exotic Marigold Hotel’, ‘Safe House’, ‘The Adopted’ and ‘Black Gold’
International Edition