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No expense has been spared — but Andreas Kriegenburg’s production at the Opéra Bastille is a spineless affair
Olivier Py’s production flattens Meyerbeer’s opera to the point of meaninglessness
This production of Meyerbeer’s opera is littered with cheap clichés, while the music lacks cohesion
Why did the Royal Opera waste valuable time, energy and artistic resource on such a creaky relic?
International Edition