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anne boleyn

Anne Boleyn, Shakespeare’s Globe, London

Playwright Howard Brenton revisits religion, but shows he is concerned not with theology, but with churches as a political body against which individuals strive, writes Ian Shuttleworth

Shirley Valentine/Educating Rita, Trafalgar Studios, London

The pieces play off each other, making a great double bill, says Sarah Hemming

Mostly Mozart, Avery Fisher Hall, New York

Martin Bernheimer has a mostly wonderful evening

Pichet Klunchun, Lincoln Center, New York

Apollinaire Scherr samples dance-drama from the
Thai court

Kris Kristofferson, Cadogan Hall, London

Richard Clayton sees the
74-year-old play from the heart

Related content and features

FEATURES

Strauss fever at the Munich Opera Festival

After a long dry period, the city welcomes a performance of a lesser-known opera by its ‘house composer’, says Andrew Clark

Stage spectacles at Womad

From Burundi drummers and African anthems to Britain’s unlikely display of massed ukuleles playing rock hits, the music festival was as ambitious as ever, writes David Honigmann

Creating chaos on stage

Mike Bartlett, author of ‘Earthquakes in London’, a new play on climate change, talks to Sarah Hemming about making a mess without actually losing the plot

Film

Film releases: July 30

Nigel Andrews reviews Joann Sfar’s ‘Gainsbourg’, Harald Zwart’s ‘The Karate Kid’, ‘The A-Team’, ‘Down Terrace’, and ‘South of the Border’

Visual Arts

Joan Mitchell show in Edinburgh

Jackie Wullschlager

Jackie Wullschlager examines the abstract expressionist’s experience as an American in France and woman in a man’s movement

Architecture

Installations at the V&A

Edwin Heathcote

Each creation attempts to communicate with the surrounding works but also to express the power of intimate spaces, writes Edwin Heathcote

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