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Program of the state of Bauhaus in Weimar

Bauhaus 1919-1933, Museum of Modern Art, New York

The revival of modern design approaches its apotheosis with this Bauhaus blowout, a survey that is at once focused and bountiful, shrewd and sprawling, writes Ariella Budick

Dead Cat Bounce, Nishi-Sugamo Arts Factory, Tokyo

Lindsay Whipp is seduced by real-time stock market investing

Paloma Faith, Koko, London

Colour fails to disguise a formulaic sound, writes Ludovic Hunter-Tilney

Tamerlano, Music Center, Los Angeles

Domingo brings grandly scaled passion to Handel, writes Allan Ulrich

King of Chu, Shanghai Oriental Art Centre

Ken Smith finds a production that is in another league entirely

Related content and features

FEATURES

A contemporary staging of Handel’s ‘Messiah’

An avant-garde director is using metaphor to convey the narrative of the 18th century oratorio, writes Laura Battle

Elliott Erwitt at the Museo di Roma

The photographer of talks to Rachel Spence about his latest show, a collection of stunning images of Rome taken over a 50-year period

An elegant work of diplomatic architecture

The new British embassy in Warsaw, designed by Tony Fretton, is intelligent, dignified and ethereal, says Edwin Heathcote

Film

Desperately seeking solace

Leo Robson

Leo Robson reviews Joseph Strick’s ‘Ulysees’, the Coen brothers’ ‘A Serious Man’, ‘The Informant!’, ‘Glorious 39’ and ‘New Moon

Culture

Band-aid for seasonal spirit

Peter Aspden

Touched by a compilation of 1950s Christmas songs, Peter Aspden ponders how holiday hits have served as markers of the times

Visual Arts

Powerful impressions

Jackie Wullschlager

Jackie Wullschlager visits a small but perfectly formed exhibition of Monet masterworks that were kept in private hands for a century