'The Fiery Angel'. Photo: Wilfried Hosl
©Wilfried Hosl

The Fiery Angel, Nationaltheater, Munich — ‘Savage, gripping’

Prokofiev’s psychodrama is performed with frightening commitment

Lauren Mayberry and Chvrches on stage at Alexandra Palace. Photo: Joseph Okpako/Getty
©Joseph Okpako/Getty

Chvrches, Alexandra Palace, London — ‘Muscular, expansive’

The Glasgow trio have bulked up their sound for their live shows

Guitarist Marc Sinan and conductor Andrea Molino. Photo: Filip Zorzor
©Photo: Filip Zorzor

Aghet-Ağıt, Radialsystem V, Berlin — ‘A howl of protest’

Helmut Oehring’s piece about the Armenian genocide was premiered

Leonard Elschenbroich of the Aurora Orchestra. Photo: Felix Broede
©Felix Broede

Tavener, Pärt and Adams, Kings Place, London — ‘Mystical and visceral’

A concert that explored musical minimalism and the divine

Sam Bond and Lisa Ellis in ‘Peer Gynt'. Photo: Marina Vidor
©Marina Vidor

Philharmonia Orchestra, Royal Festival Hall, London — ‘Lang Lang upstaged’

The pianist’s show-off performance was eclipsed by ‘Peer Gynt’

The record of ‘Walk on the Wild Side’

The Life of a Song: ‘Walk on the Wild Side’

The Lou Reed tune slipped past the censors and became a hit

The opera version from composer Will Todd
©Alex Brenner

The curious appeal of ‘Alice in Wonderland’

Why is the classical world still in love with the 19th-century novel? Hannah Nepil listens to 13 new works by 13 contemporary composers

Deutsche Oper’s production of 'La Passion de Simone'. Photo: Ruth Walz
©Ruth Walz

La Passion de Simone, Tischlerei, Berlin

This staging of Kaija Saariaho’s opera lacks essential mysticism

Martyn Jacques and Laura Caldow. Photo: Tom Arber
©Tom Arber

Lulu: A Murder Ballad, Linbury Studio Theatre, London — ‘Menacing’

A powerful, murky retelling of Lulu’s sorry tale

Metropolitan Opera's 'La bohème'. Photo: Marty Sohl
©Marty Sohl

La bohème, Metropolitan Opera, New York — ‘Hyper-lavish, super-kitschy’

An over-pretty, overpopulated, musically uneven production

Simon Trpčeski, Barbican, London — ‘Elegance was a watchword’

The pianist played an all-Chopin programme with great sensitivity

La bohème, Royal Swedish Opera, Stockholm — ‘A roaring success’

Puccini’s opera is given a Scandinavian setting and characters

Die Meistersinger von Nürnberg, War Memorial Opera House, San Francisco — ‘Brightly sung’

The singers in David McVicar’s staging were reassuringly excellent

London Jazz Festival, Various venues

Memorable improvisation from Keith Jarrett; plus, jazz poetry

Castor et Pollux, St John’s, Smith Square, London — ‘Colourful, vivid’

A subtle and expressive performance from the Early Opera Company

London Jazz Festival: from Billie Holiday to hip-hop

Vocalist José James, bassist Eddie Gomez, saxophonist Shabaka Hutchings

Interview: Baaba Maal

The Senegalese singer visits a British Library exhibition of west African culture

The Life of a Song: ‘Like a Rolling Stone’

Bob Dylan’s tumbling, cascading 1965 hit was originally written as a vengeful stream of ‘vomit’

Adele, 25: album review — ‘Luxuriously engineered’

A slickly assembled, technically accomplished pop product

Biedermann and the Arsonists, Lilian Baylis Studio, Sadler’s Wells, London — ‘It burns like acid’

Šimon Voseček brings chilling effects to his satirical opera

More stories