Add this topic to your myFT Digest for news straight to your inbox
Exhausting tedium amid swivelling spotlights from an Austrian breakdance ensemble
The roof garden is not just a sweet or beautiful place but also an ecologically useful one
Meryl Tankard’s brilliant new dance work approaches The Rite of Spring in a novel way
The singer’s performance premiered new settings of poems by Pablo Neruda
Known for their melancholy folk, the band here highlighted the tougher sound of their new album
Although it had its rough edges, this gig highlighted the power piano-jazz trio’s muscular ethic
A new temporary theatre and planned glass structures are set to further change the face of London’s Southbank Centre
The pianist’s deeply considered playing was undermined by fumbles and finger slips
With András Schiff playing Mozart concertos on a copy of an 1802 fortepiano, this was an unusually successful enterprise
This event, part of the Southbank’s ‘The Rest Is Noise’ festival, recalled Paris’s status as an artistic hub in the 1910s and ’20s
The Rest is Noise festival got into its stride as the Canadian soprana brought the 1900s’ most adventurous music to life
The ‘post-post-modern diva’ combines a serious message with songs, tutus and audience participation
Mezzo soprano Sarah Connolly showed the value of restraint in a concert that juxtaposed French and English Baroque music
This performance from the virtuoso pianist delivered fireworks aplenty – and a few question marks
This show’s strength is its bravura use of computer-powered light and sound allied to the movement of the dancers
The American author of ‘Open City’ visits London, where he checks into an art installation in the form of a one-room hotel in the shape of a boat ..
An evening of poetry readings backed by Baaba Maal shows that words and music do not always go together
Backed by Sufi musicians from Lahore, Raman’s versatile vocals brought an electrifying blend of South Asian music to London’s South Bank
Flashy virtuosity is not this pianist’s style – this was a performance in which restraint was the key factor
In his recital of Beethoven piano sonatas, Biss was more at home with the energy of departure than the reflections of absence
Bookings reopen for ‘A Room for London’, a temporary hotel in the shape of a boat on the roof of the Queen Elizabeth Hall
David Kohn and Fiona Banner’s architecture-installation hybrid, perched on top of Queen Elizabeth Hall, packs a lot into a small space
A sequence of moments rather than a distinguishable line or body of material that means whatever you want it to mean
International Edition