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The season kicks off with Baroque rarity ‘Hipermestra’ and a ‘Traviata’ revival
Musical standards are high in Britten’s opera, but the production is visually disappointing
A new edition of Puccini’s opera is bolstered by a tight staging concept
Georg Friedrich Haas’s new work aims to conjure the metaphysical domain that lies beyond words
The Met revives Graham Vick’s brilliant production of Shostakovich’s murky masterpiece
Graham Vick emphasises the human drama in Prokofiev’s magnificent but daunting opera
With a new cast of principals, Graham Vick’s powerful production rings truer than ever
Graham Vick’s provocative adaptation of Mussorgsky’s opera casts a powerful spell
Outside the Barbican, campaigners protested; inside, the music was impressive
Despite political trouble and budget constraints, Graham Vick’s ambitious production is off to a promising start
International Edition