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Paul Nash: The Elements, Dulwich Picture Gallery, London

The display shows how the artist put together compositions using elements from the natural world, then reimagined them into weird landscapes, writes Jackie Wullschlager

Barock, Madre Museum of Contemporary Art, Naples

The parallels between our own art scene and that of the 17th and early 18th century are so obvious it’s a wonder that only now has a show been built around the comparison, says Rachel Spence

William Eggleston: 21st Century, Victoria Miro, London

The great master photographer has a new selection, accumulated over the last 10 years. Francis Hodgson sees an exhibition by an artist neither on great form nor badly out of it

Van Doesburg at Tate Modern

The exhibition on the Dutch abstract painter highlights the contrast between his work and that of his more famous contemporary, Piet Mondrian, says Jackie Wullschlager

Leopards in the Temple, Sculpture Center, New York

This exhibition takes as its inspiration a parable by Franz Kafka, which tells of how tradition adapts and reintegrates whatever rises to challenge it. Some remarkable pieces here match that sentiment, says Ariella Budick

Giacometti sets sale record with £65m sculpture

A sculpture by Alberto Giacometti became the most expensive work of art ever sold at auction when it fetched £65m ($104.3m) at Sotheby’s London on Wednesday night

Botticelli to Titian, Museum of Fine Arts, Budapest

In this blockbuster exhibition, the Old Masters venture beyond the Iron Curtain and for once, says David Ekserdjian, the use of the word ‘masterpieces’ in the title is not a hollow promise

Afro Modern, Tate Liverpool

This exhibition, resonant with its dockside setting, explores how black artists reclaimed elements of black culture and history. It includes many arresting works and raises pertinent questions, says Jackie Wullschlager

The art market: Indians in trouble

Charles Saatchi’s new show ‘The Empire Strikes Back’ may be a talking point in London, but the market for Indian art has taken serious hits with some funds failing to deliver promised returns, writes Georgina Adam

A photo exhibition on south Asia

Whitechapel Gallery’s extensive survey of snapshots from the Indian subcontinent exposes the region’s distinct photographic culture, writes Francis Hodgson

Chris Ofili at Tate Britain

Robert Polidori’s photos of Versailles

Ennobled by suffering

Van Gogh’s letters shed light on his work

The art market: A false Leonardo

Personnes, Grand Palais, Paris

Michael Landy’s destructive instincts

A change of focus at London Art Fair

A prime selection of Scottish colourists

Visions of the Cosmos, Rubin Museum of Art, New York

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