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    Venice Film Festival

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    • Monday, 5 September, 2022
      Film
      Venice Film Festival 2022

      From Adam Driver in Noah Baumbach’s post-Covid satire White Noise to the harrowing opioid documentary All the Beauty and the Bloodshed, we review this year’s highlights

    • Monday, 5 September, 2022
      Venice Film Festival 2022
      The Banshees of Inisherin — Brendan Gleeson and Colin Farrell star in buddy break-up film

      Martin McDonagh’s blackly comic feature sets a fracturing friendship against Ireland’s tumultuous history

    • Monday, 5 September, 2022
      Venice Film Festival 2022
      The Whale review — Brendan Fraser makes a splash in Darren Aronofsky’s obesity drama

      Fraser shines, in a grotesquely large fat-suit, in the pitiless yet empathetic film

    • Monday, 5 September, 2022
      Venice Film Festival 2022
      Five stars for opioid epidemic documentary All the Beauty and the Bloodshed

      Laura Poitras’s film is both a biography of artist Nan Goldin and an indictment of the Sackler family

    • Friday, 2 September, 2022
      Venice Film Festival 2022
      Venice Film Festival review — Bones and All shows sympathy for the diabolical

      Taylor Russell and Timothée Chalamet star as cannibals on a road trip through America in Luca Guadagnino’s uncannily timed film

    • Friday, 2 September, 2022
      Venice Film Festival 2022
      Venice Film Festival review — Bardo is a stream of consciousness from Alejandro G Iñárritu

      This sprawling, deeply personal film tips into self-indulgence, though there are powerful moments

    • Thursday, 1 September, 2022
      Venice Film Festival 2022
      Cate Blanchett wields the baton in Todd Field’s Tár

      Set in the rarefied world of classical music, the film follows a tightly wound conductor who dishes out plenty of stick

    • Wednesday, 31 August, 2022
      Venice Film Festival 2022
      White Noise — Noah Baumbach reworks Don DeLillo as post-Covid satire

      The Venice Film Festival opens with Adam Driver and Greta Gerwig in a black comedy about an ‘airborne toxic event’

    • Monday, 13 September, 2021
      Venice Film Festival 2021
      Abortion drama wins top prize at Venice Film Festival

      Audrey Diwan scoops Golden Lion for harrowing and timely tale of a 1960s schoolgirl driven to desperate measures

    • Monday, 6 September, 2021
      Venice Film Festival 2021
      Olivia Colman is mesmerising in Maggie Gyllenhaal’s The Lost Daughter

      Her trip to a Greek island turns out to be less than idyllic when a terrifying family arrives

    • Friday, 3 September, 2021
      Venice Film Festival 2021
      Dune is a stellar crowd-pleaser on a vast scale

      Director Denis Villeneuve ramps up the production values in an epic sci-fi adventure starring Timothée Chalamet and Oscar Isaac

    • Friday, 3 September, 2021
      Venice Film Festival 2021
      Spencer — Kristen Stewart captures the unhappy privilege of a tormented royal

      Pablo Larraín’s unconventional biopic documents Princess Diana’s angst and mental frailties

    • Friday, 3 September, 2021
      Film
      Venice Film Festival 2021
    • Friday, 3 September, 2021
      Venice Film Festival 2021
      The Hand of God — an artistic tale of life’s cruel and colourful carnival

      Paolo Sorrentino’s loosely autobiographical latest looks back to adolescent fantasy and painful personal trauma

    • Thursday, 2 September, 2021
      Venice Film Festival 2021
      Pedro Almodóvar probes Spain’s scars in Parallel Mothers

      Venice Film Festival 2021 began with a women-driven drama, starring an impressive Penélope Cruz, and Promises, starring Isabelle Huppert

    • Thursday, 2 September, 2021
      Venice Film Festival 2021
      Benedict Cumberbatch’s unbridled nastiness shines in The Power of the Dog

      Director Jane Campion creates a palpable sense of mystery and menace in this atmospheric western

    • Friday, 21 May, 2021
      Collecting
      Venice Biennale of Architecture 2021
    • Monday, 14 September, 2020
      Nomadland walks away with top prize at Venice Film Festival

      Chloé Zhao’s film, which stars Frances McDormand as a widow going it alone in the American West, wins Golden Lion

    • Friday, 11 September, 2020
      Oscar winners 2021
      Nomadland — delicate, incisive portrait of a life lived on the road

      Frances McDormand stars in writer-director Chloé Zhao’s powerful picture of a particular American subculture

    • Monday, 7 September, 2020
      FT SeriesVenice Film Festival 2020
      The Disciple — a finely tuned tale of devotion and doubt

      A Mumbai singer struggles with musical scales and vices in this Venice Film Festival competition entry

    • Monday, 7 September, 2020
      ReviewFT Series
      Venice Film Festival 2020

      From Tilda Swinton in Pedro Almodóvar’s latest movie to a French Bill & Ted having an adventure with a giant insect, we review this year’s highlights

    • Monday, 7 September, 2020
      FT SeriesVenice Film Festival 2020
      Mainstream — Gia Coppola’s journey into the heart of online darkness

      Andrew Garfield scales the heights of obnoxiousness as an anti-internet rebel seduced by YouTube stardom

    • Monday, 7 September, 2020
      FT SeriesVenice Film Festival 2020
      French Bill & Ted befriend a giant fly in Mandibules

      Quentin Dupieux’s film may be the silliest movie at the Venice Film Festival but it’s also the funniest

    • Monday, 7 September, 2020
      FT SeriesVenice Film Festival 2020
      The Duke — Jim Broadbent steals the show in Ealing-style heist comedy

      A truth-based story told with droll dialogue makes for a warm and witty crowd-pleaser

    • Monday, 7 September, 2020
      FT SeriesVenice Film Festival 2020
      The World to Come — female bonding on the US frontier

      Katherine Waterston, Vanessa Kirby and Casey Affleck star in a 19th-century-set tale of two women in search of escape

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