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‘A Body for Harnasie’ turns a little-known 20th-century ballet into a multimedia fantasia for today
Plus: Rambert’s ‘Death Trap’ at Sadler’s Wells is too heavy on the words
Triple bill also includes Christopher Wheeldon’s exhilarating ‘Corybantic Games’ and Kenneth MacMillan’s ‘Anastasia’
The choreographer’s apocalyptic adaptation of Jim Henson’s The Dark Crystal premiered in London
His talents have been showcased at the Bolshoi Ballet, Old Vic and La Scala – but here are some hidden gems from his life
The choreographer’s first American Ballet Theatre commission is the latest attempt to stage ‘The Rite of Spring’
A programme that had something to delight — and infuriate — every taste
Standards were high, yet this triple bill was oddly underwhelming
The ‘maliphantworks2’ programme features for bite-sized works which are well suited to this compact space
The choreographer’s Autobiography has rich movement but does not cohere
Wayne McGregor’s choreography added smooth moves to the eye-catching dance of sentient spheres
Seemingly sentient balloons are the stars of a new London art show
Wayne McGregor’s bendy movement meets Olafur Eliasson’s inventive light-design at Sadler’s Wells
Are the Academy’s front runners worth the hype? And does Daniel Hannan have regrets about Britain’s vote to leave the EU?
How choreographer Wayne McGregor turned modernist fiction into dance
As major arts organisations head east, Horatia Harrod reports on the opportunities and challenges for the cultural and educational district
The new piece ‘Multiverse’ wrestles with the Zeitgeist but comes out the loser
A new work by Wayne McGregor plus pieces by MacMillian and Wheeldon made for a satisfying sandwich
Two works by the veteran choreographer illustrate her use of over-familiar devices
Wayne McGregor’s ballet, reworked and revived, is still fundamentally flawed
This flimsy adaptation of Jonathan Safran Foer’s 2010 book is fleshed out by its dancers
The radical choreographer talks about his first full-length ballet for the Royal Opera House
Crystal Pite’s ‘Polaris’ was the highlight of four choreographic responses to Thomas Adès’s music
See the Music, Hear the Dance, Jump and Coppélia
‘It’s good to be in a place that’s the unknown, a place where you’re a bit lost’
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