Nicola Benedetti played Szymanowski’s violin concertos with softness and fluidity

Vladimir Jurowski has chosen the original 1911 version of the ballet, which the LPO plays with glittering clarity

After an opulent Lindberg premiere, Vladimir Jurowski conducted an admirably succinct Beethoven

A well thought-out tribute to the playwright, with exemplary playing from the LPO

Vladimir Jurowski conducted a period instrument performance of Mahler’s Symphony No. 2

Three of the composer’s works glitter with precision in well-rehearsed performances by the London Philharmonic Orchestra

The care with which Vladimir Jurowski tends to every detail makes this late romantic ouevre sound taut and purposeful

Alexander Raskatov’s new work prompted both standing ovations and ostentatious walkouts

Two concerts conducted by Vladimir Jurowski offered high-energy Shostakovich and rarely-heard Bruckner

Prokofiev’s dark psychodrama is performed with frightening commitment

Vladimir Jurowski worked subtly as a big Mahler symphony opens a concert cycle

The chorus is at the heart of this musically excellent production of Schoenberg’s ambitious opera

Vladimir Jurowski paired a poetic new concerto with a Ravel ballet score in a rare performance

With Ryan Wigglesworth and Vladimir Jurowski conducting, both symphonies are well played and recorded

Almost everything that the audience takes away from ‘The Miserly Knight’ happens in the orchestra

Szymanowski, Scriabin and Rachmaninov in one evening: would it all prove too much?

The intensity never drops for a moment from the ride to manic elation to an unwavering gaze into the abyss

The London Philharmonic’s principal conductor marries the best of tradition with the best of modern practice

Vladimir Jurowski conducted an examplary performance of John Adams’s nativity oratorio

Herbert Wernicke’s progressive production is revived, conducted with passion by Vladimir Jurowski

Vladimir Jurowski brought the best out of Britten in a rewarding concert

First a knotty new production of ‘Ariadne auf Naxos’; then a scintillating ‘Falstaff’ revival