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Mieczysław Weinberg’s work is superbly staged, played and sung at Munich’s National Theatre
Also in London: cultured sound of the Bayerisches Staatsorchester at the Barbican
This disc marks the first of three volumes capturing the London Philharmonic Orchestra’s year-long Stravinsky festival
LPO’s departing chief showed his delightful, intellectual side, while pianist Víkingur Ólafsson offered his restless imagination
The violinist and conductor are clean-cut in their interpretation of the Russian composer
The conductor brought freshness to the third part of the London Philharmonic Orchestra’s Ring cycle
The singing is superb, but Ivo van Hove’s production of Mussorgsky’s opera could have gone further
Vladimir Jurowski and the London Philharmonic Orchestra brought out the best in this unlikely pairing of composers
The composer’s Petrushka was the highlight of an otherwise workmanlike programme
The year-long series began with works from the composer’s musical adolescence
The orchestra’s Ring cycle, conducted by Vladimir Jurowski, looks set to be a journey worth following
Vladimir Jurowski conducted more than 100 players in Marx’s Autumn Symphony
Seven-disc set marks the conductor’s 10 years as the London Philharmonic Orchestra’s principal conductor
George Enescu’s only opera is a hard work to pull off. Vladimir Jurowski and the LPO showed how
The conductor led the Rundfunk-Sinfonieorchester in an uncompromising opening concert
William Kentridge brings the first world war back into Berg’s opera with grim sketches, animations and hypnotic power
Brett Dean’s new opera plumbs the dark recesses of Shakespeare’s play
An urgent live performance of the ‘Eroica’, influenced by period performance and consistent in style
Vladimir Jurowski conducted an unusual, special performance of Mahler’s Eighth Symphony
Violinist Patricia Kopatchinskaja was mesmerising in a programme of music composed in the face of death
Explosive performances of Rebel, Milhaud and John Adams at the Royal Festival Hall
Vladimir Jurowski and the LPO shone in this semi-staging of Beethoven’s opera
A programme that began with understated Glinka ended with uproarious Rachmaninov
Nicola Benedetti played Szymanowski’s violin concertos with softness and fluidity
Vladimir Jurowski has chosen the original 1911 version of the ballet, which the LPO plays with glittering clarity
International Edition