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We invest in museums feelings that used to belong to religious organisations
Maggie Smith reprises the role of Miss Shepherd, the elderly ex-nun who pitches up in a London driveway in a battered van
Alan Bennett’s hit stage play is brought to the screen by Nicholas Hytner
An analysis into the special chemistry of writer-director partnerships
The Met’s staging of Verdi’s opera was dim, grim and sparse, with stiff acting and pitch problems
Osborne and Johnson pledge investment in transport and housing
Three main location options for world-class London concert venue
Tom Stoppard’s new play ventures into the high mountains of human thought
Richard Bean’s satire on the phone-hacking scandal is as specific as it is damning
Interview with a box office hit as he prepares to exit the stage
Erich Kästner’s 1928 novel is adapted with childlike exhilaration
An orderly transition should take place over three months, not eight, 12 or 18
David Tennant in the title role gibbers and raves in an excellently clear production
Nicholas Hytner’s deft staging makes Shakespeare’s tale of a rich man’s fall a trenchant play for today
British references abound but inspired improv and physical comedy transcend the cultural differences
Culture provides havens from the material world and attempts to explain to us that world. Can it offer more?
The National Theatre director on Stanislavsky, Bulgakov and James Corden
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