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This first world war tribute was danced with sincerity
Though unwieldy, this National Ballet of China production had moments of eloquence
Copeland, a rare black female soloist in a big classical ballet company, performed two major debuts
The Montreal ice-skating troupe’s show is expertly performed but insubstantial
Marianela Nuñez has fine moments in the title role, but Francesca Hayward has the better partner
These two ballets by Kenneth MacMillan and Marguerite Donlon explore questions of identity
A curiously disjointed double bill from the Ballet du Grand Théâtre de Genève
David Dawson’s new work features fluent choreography but the score needs pruning
Tamara Rojo was a serene Aurora in English National Ballet’s honourable, eloquent staging
Darcey Bussell, former principal ballerina at the Royal Ballet, talks about her new role
After the loss of three knife-throwers, the Bavarian State Ballet’s replacement evening was a hit-and-miss affair
Marianela Núñez gives a ravishing performance in this newly revised version of MacMillan’s last full-length ballet
The ghosts of two great dancers were present in ENB’s second programme inspired by Ballets Russes
Both works show the Royal Ballet’s real qualities far better than any of the care-worn ‘classics’
Company proves more than equal to the challenge of MacMillan’s ‘Song of the Earth’ in a quadruple bill of first-class English ballet
International Edition