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Simon Franglen worked on ‘Titanic’ and ‘Avatar’ but he enters the big league with his score for the new Western
By cutting the thank-yous, the Oscars might unleash a tide of bragging, vengeance and political showboating
Where does the democratisation of taste leave Celine Dion?
This musical presents a neat cross-section of the ill-fated liner’s society but feels weighed down by familiarity
Keanu Reeves makes for a strangely apt narrator in a discussion with Scorsese and other directors of the digital vs film question
A damning documentary on Catholic cover-ups, Judd Apatow’s latest comedy and Keanu Reeves’ star-studded study of digital film
This week’s new cinema releases reviewed: ‘The Sapphires’, ‘Ray Harryhausen: Special Effects Titan’, ‘Here Comes the Boom’, ‘Excision’ and ‘Aurora’
Gale Anne Hurd has turned a love of horror and sci-fi into her own production company
James Cameron’s journey to the deep was magnificent in its recklessness, says Rory Stewart
Art is too serious, say Miuccia Prada and Francesco Vezzoli as they launch a playful 24-hour exhibition
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