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Shomit Dutta’s light-hearted drama ‘Stumped’ mixes fiction, reality and the metaphors of the game
Two programmes of one-act Pinter plays celebrate his unsettling dramatic world
Toby Jones shines a new light on his character Stanley in this fine revival of Pinter’s drama
The multi-arts centre’s season opens with two contrasting dramas
Patrick Stewart and Ian McKellen excel in Harold Pinter’s drama
The playwright had a gift for bringing the texture of lived, working life to the stage
Timothy Spall stars in this fine, if sometimes overstated, production of Pinter’s masterpiece
Staged with deliberately macho swagger, the family drama emerges as a study of territorial powerplay in an all-male household
An analysis into the special chemistry of writer-director partnerships
Clive Owen gives a quintessentially Pinterish performance on his Broadway debut
Robert Wilson failed to convey any of the real feeling in Beckett’s monologue
Florian Zeller’s touching play uses the nature of theatre to convey the disorientation of dementia
The arts are accused of leftwing bias but look at popular culture and a different picture emerges
Jude Law rants and gurns as a freshly released jailbird
After a wait of 43 years, The Rolling Stones’ appearance proved you can always get what you want at Glastonbury (eventually)
Maria Friedman’s production is likely lead to more inductions into the cult of Sondheim
Lyle Kessler’s drama has lost much of its kinetic energy since its off-Broadway arrival in 1985
Danny Boyle’s art-heist movie; poison-pen psychodrama from François Ozon; gang-war and gang-peace
This week’s new film releases reviewed: ‘The Bourne Legacy’, ‘The Expendables 2’, ‘Take This Waltz’, ‘The Bird’, ‘The Devil’s Business’
Television actor John Simm is returning to the stage for Pinter’s ‘Betrayal’
PJ Harvey’s second Mercury win rewards rock’s response to a decade of bloodshed, writes Ludovic Hunter-Tilney
The Edinburgh-London route at this time of the year yields delightful chance encounters with celebrities
International Edition