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The creator of our most famous image of human anguish was also a gentle bard of the natural world
The artist’s Norwegian summerhouse has been reimagined for a new generation of visitors
Each of us will have our own unique experience of losing someone close
The first article in a new series from FT Globetrotter in which art experts dive into their favourite work from a must-see current exhibition
The Norwegian artist’s works are being shown alongside music specially composed by the band
The building, designed by little-known architect Klaus Schuwerk, is delicate despite its size
The Norwegian artist’s rich, emotionally complex works show there was more to him than ‘The Scream’
The Norwegian painter used a camera to explore his preoccupations with spiritualism, naturism — and himself
The British Museum shows how printmaking gave the artist a chance to experiment and reach his first mass audience
Exhibition in April will feature 83 artworks by the Norwegian artist
Youthful genius rubs shoulders with mature mediocrity in a New York show both stunning and depressing
The Norwegian artist’s approach to the form was experimental and sought to distort or blur his unusual compositions
Puccini’s opera is given a Scandinavian setting and characters in this ingenious staging
What do the two artists who have never before shared an exhibition have in common? A terrific lot, it turns out
Watercolours, oil sketches and drawings trace a radical approach to landscape painting
An Edvard Munch retrospective reveals his astonishing breadth
This intriguing show explores a key West Coast artistic scene in the 1940s-60s
Once a dirty, no-go industrial zone, the island of Tjuvholmen in Oslo has been transformed into an ideal destination for a cultural citybreak
This haunting survey of the artist’s last decade reveals a man of idiosyncratic gifts and perpetual independence
An exhibition at the Arts Santa Mònica in Barcelona reveals a particularly Russian artistic obsession with icons
Tate Modern has converted giant former fuel tanks into underground chambers for dance, film and installations
This show focuses on art on the cusp of the 19th and 20th centuries from an intriguing angle
Even ‘Scream’ free, a new Edvard Munch exhibition reveals the artist to be a self-absorbed prisoner of painful memories
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