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A bite-sized lunchtime string quartet, followed by high-octane rhythmic exuberance
To mark the centenary of the first world war, Hallé brings two works by the composer that date from the 21st century
In rude health under its new conductor, the orchestra brought finesse to a Colin Matthews premiere
In an evening that tried to pack in too much, the soprano-pianist partnership of Louise Alder and Gary Matthewman stood out
A performance of Peter Maxwell Davies’s ‘Eight Songs for a Mad King’ was full of unsettling surprises
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