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Also in London: Wigmore Hall devotes a day to violist and composer Brett Dean
Director Katie Mitchell’s new production is touring the UK using an environmentally friendly blueprint
A musically rich production of Strauss’s opera is let down by Katie Mitchell’s shallow staging
George Benjamin goes back to the abyss in his dark new opera
Three generations of women tell their stories in Alice Birch’s haunting drama
With Natalya Romaniw in the title role, Janáček’s opera comes vividly to life
Barbara Hannigan leads a uniformly strong cast in Katie Mitchell’s fever dream of a production
Theatre and live video are interlaced in this overwhelming piece about war and weaponry
Diana Damrau is brilliantly convincing as a woman of modern attitudes in a still feudal man’s world
In our latest video, Matt Trueman explores how technology is changing theatre
Katie Mitchell brings Sarah Kane’s sadistic institution to life in a vivid and powerful production
Can a computer write a good musical? Matt Trueman reports
One of Shakespeare’s most enigmatic characters is set to return in a new play that makes her the primary focus
A polished interpretation of Handel’s opera brings the erotic fantasy to a delighted audience
ENO’s first opera for children boasts vibrant images, beautiful music and a baffling storyline
A quietly powerful ‘performance lecture’ on climate change that prizes cool facts over sensationalism
The director talks about bringing climate science to the stage, German radicalism and the joys of genre-hopping
Two innovative productions that draw out Chekhov’s contemporary resonances
Katie Mitchell’s stunning new multimedia piece speaks powerfully about men, women and war
Production and staging did not quite do justice to Vasco Mendonça’s thriller
New versions of ‘Miss Julie’ explore the appeal of Strindberg’s potent cocktail of sex, class and power
Conducted by the composer himself, this is a triumphant work that carves out a unique place in modern opera
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