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Michael Haneke’s film is an impressive litany of cross-generational dysfunctionalities
The director’s sloppy satire-tragedy is awash with despair
Europe’s old certainties are crumbling in Michael Haneke’s complex film
Documentary shows director Michael Haneke’s passion for control
Amour refuses to over-dramatise dementia and its clear-headedness makes it devastatingly intimate, powerful and truthful
This week’s new film releases reviewed: ‘Amour’, ‘The Twilight Saga: Breaking Dawn Part 2’, ‘Mental’, ‘The Pool’ and ‘Jason Becker: Not Dead Yet’
After her star turn at Cannes, Isabelle Huppert talks about the craft of acting and working with varied directors
Michael Haneke’s formidable film about the defiant love of an elderly couple was a deserving winner of this year’s Cannes Palme d’Or
Serendipity and zeitgeist have produced a mix of themes – and quality – at the 65th Cannes Festival
Michael Haneke’s ‘Amour’ and Cristian Mungiu’s ‘Beyond the Hills’ are both prime candidates for the Golden Palm
Nigel Andrews reviews ‘The Secret in Their Eyes’, ‘Le Refuge’, ‘The Sorcerer’s Apprentice’, ‘The Last Airbender’ and ‘Tinkerbell and the Great Fairy Rescue’
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