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Mark Gatiss adapts Arthur Conan Doyle’s story about a mummy running riot
Plus: social awkwardness in ‘The Unfriend’; a Jewish comedian amid white supremacists in ‘Just for Us’
Sailing the Med? Watching Arsenal? A hug? Christine Lagarde, Yuval Noah Harari, Carlo Rovelli and many more on their post-lockdown dream
AA Milne’s grown-up son revisits the Hundred Acre Wood in Marc Forster’s film
Documentary charts the English painter’s professional successes and emotional disasters
He’s watched by millions, so why does the actor and writer feel a loser in today’s culture war?
A jolly enough episode, but not as thrillingly stylish as some past adventures
Mart Crowley’s 1968 play no longer shocks, but it still resonates
Patrick Marber’s compressed Turgenev adaptation is a masterly piece of work
The polling-station drama is a smart, lively way to address the importance of the UK election
Benedict Cumberbatch stars as the modern and more quick-witted reincarnation of the inscrutable sleuth
Bristling with excellent performances, Josie Rourke’s first production at the Donmar is a joy that bodes well for the future
Though we complain about it, sequels, prequels, remakes and spin-offs will continue to persist in popularity
Enforced jolliness expertly observed
‘Worried about the Boy’ and ‘Royal Wedding’ emphasised a theme of the 1980s: its encouragement of deviation from the traditional sexual norm
International Edition