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In what other story does a suburban house so seductively shut out the real world?
Simon Callow and Alan Cumming provide wonderful readings of Isherwood’s love letters
The post-Brexit upsurge in hate crime must be stamped on
Louis Armstrong’s version begins with a chorus of brass, then a piano vamp that leads into the sung narrative
An intriguing collection of works from the collection of a Bulgarian exile
Berlin allows people to be what they want to be – but don’t spy on them, writes Quentin Peel
Today’s cinema is going berserk with point-of-view lenses. They are a new toy – and it loves them
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