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Rodney Ackland’s unsparing portrait of a Soho nightclub in 1945 is given a masterly revival
Stephen Beresford’s stage adaptation sheds new light on Bergman’s screen masterpiece
This revival of the Broadway hit makes a virtue of clever parody, musical allusion and taking the . . . mickey
Director David Farr sets the action in the hall/gymnasium of an expensive boarding school
The Bard turned upside down: Prospero becomes the villain in David Farr’s reimagining of Shakespeare’s play
The thematic concepts common to these plays are, it is claimed, matters of belonging, of being lost and found
A fine illustration of Hall’s reasons for describing Pinter back in the 1960s as the RSC’s second ‘anchor’
International Edition