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Alex Hassell conquers the role of Henry V in Gregory Doran’s royally intelligent RSC production
Iqbal Khan’s production employs a racially diverse approach to the play — with mixed results
In Polly Findlay’s production, Shylock is a hollow man in a cold, unsympathetic world
It may offer a somewhat confected version of events, but Phil Porter’s play is still very moving
Director Maria Aberg walks a canny line between rendering the play contemporary and preserving its keen sense of locality
Director David Farr sets the action in the hall/gymnasium of an expensive boarding school
Lucy Bailey’s production falters despite digital flourishes and a strong RSC debut from Tara Fitzgerald
Three seasonal productions illustrate how children’s books can be brought to life in a new way on stage
RSC artistic director designate Gregory Doran has set his production in contemporary Africa
The Bard turned upside down: Prospero becomes the villain in David Farr’s reimagining of Shakespeare’s play
The thematic concepts common to these plays are, it is claimed, matters of belonging, of being lost and found
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