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Her collaborations have produced some of her best work — and will soon feature in the Aldeburgh Festival
At Snape Maltings Concert Hall, the UK premiere of Thomas Larcher’s first opera does Benjamin Britten proud
A balloon-popping drag queen and strong singing can’t quite invigorate Pleasure’s stodgy score
Incoming director of classical music festival faces big challenges
An opening night of cool control amid oppressive heat, a second of crowd-pleasing from China
A John Cage-inspired ‘happening’ takes over an English seaside town on a perfect summer day
A scheme to encourage young opera writers yields two works of admirable originality and scale of ambition
Two recordings of the composer’s works could hardly be more different in their impact
Though musically excellent, these staged performances of Britten’s Canticles detracted from the imaginative thrust of the poetry
International Edition