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Olivier Py’s production of Poulenc’s opera is beautiful and a little terrifying
Ingmar Bergman’s film is brilliantly re-conceived for the operatic stage
Thomas Adès’s epic opera showcases its composer’s capacity for invention
There is much to admire about this production of Berg’s opera — but it frustrates, too
Taut rhythms and emotional tension were lacking in this production of Brecht and Weill’s work
Stéphanie d’Oustrac brings a wily intelligence to the title role but the tension sags in her absence
In Eötvös’s discourse in dissonance, the lead voices were often submerged by the textural din
Brecht and Weill’s timeless fable of capitalist greed rises to a denouement of biblical grandeur
The Swedish singer, renowned for her exquisite vocal deportment in Bach, Berlioz, Mozart and Mahler, shows her adventurous side
The pianist and drummer created a series of unfolding, rhythmically compelling vignettes
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