Trevor Nunn’s production bursts from the stage — but there’s a chill wind blowing, too

A production of Marlowe’s drama that makes excellent use of the intimate, candlelit space

The London pantomime season opens with this warm-hearted production

A thoughtful production at London’s Print Room raises questions about assisted dying, consciousness and identity

Pinter Three and Four feature fine performances from a cast that includes Lee Evans, Keith Allen and Tamsin Greig

David Threlfall and Rufus Hound are the stars of this playful, poignant RSC production

Everyone is in a hurry in Erica Whyman’s rough and volatile staging

debbie tucker green’s new piece balances contained anger with meticulous detail

Maisie Williams and Zach Wyatt bring touching freshness to their roles as troubled teenagers

Emma Rice returns to the London stage with an exuberant celebration of theatre

Shakespeare’s play undergoes extra scrutiny in this intelligent double production

Director Marianne Elliott is updating the already-radical ‘Company’ with one key difference: a female lead

The playwright’s new political drama doesn’t lack ambition, but it’s a curiously sterile affair

Dramatist James Graham has created a kaleidoscopic portrait of contemporary London

Arinzé Kene’s virtuoso performance holds together a multi-layered narrative about contemporary London

Matt Hartley’s blackly comic new play about a quarantined town is dense but sprinkled with good lines

A new adaptation finds contemporary resonance in the seminal study of alienation

Nadia Fall’s production is a well-acted and uplifting tale of a community rising up against oppression

Lesley Sharp is terrific in this simple story of a grief-stricken mother

This well-acted play about the battle for school places delves clunkily into issues of racism and anti-Semitism

Traumatic childhood memories cleverly expressed using production design and precise, startling choreography

Clare Barron’s play vividly captures the messy, turbulent world of adolescence

Nick Bagnall’s staging gives full rein to the physical comedy in Shakespeare’s play

Alfred Jarry’s groundbreaking play is ingeniously remade as a drama-cum-singalong in this outdoor setting