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Britten’s opera feels still feels fresh after 70 years
A production that rises to the special challenges of Britten’s opera
A subtly disturbing new production of Britten’s opera from Annilese Miskimmon
The orchestra made the best case for Shostakovich’s puzzling last symphony
Two recordings of the composer’s works could hardly be more different in their impact
A bracing aperitif of music by John Zorn preceded a nicely judged pairing of Britten and Shostakovich
International Edition