Add this topic to your myFT Digest for news straight to your inbox
The production may have lost Edward Watson to injury, but the company’s other talents shone brilliantly
The cabaret queen’s show was musically luxurious but visually underdressed
The choreographer’s celebratory season continued with two important, superbly danced works
Conventional fare was mixed with contemporary work in this re-opening programme
The Royal Ballet is at its finest in Kenneth MacMillan’s dance drama
A new Royal Ballet staging of Philip Glass’s piece showed that less can be more
The new piece ‘Multiverse’ wrestles with the Zeitgeist but comes out the loser
Christopher Wheeldon’s danced realisation remains a teasing, curious and ultimately evasive experience in the theatre
Wayne McGregor’s ballet, reworked and revived, is still fundamentally flawed
Arthur Pita’s witty, wicked ‘Facada’ was the highlight of a mixed programme
Wendy Whelan and Edward Watson came to life in a high-voltage new piece written for them by Arthur Pita
Whelan/Watson: Other Stories and Cinderella
This performance came alive because the dancers had trust in MacMillan’s choreography
A luxurious production and fine dancing cannot redeem Wayne McGregor’s familiar choreography
Masterpieces bookend a bombastic and anguish-filled new work by Hofesh Shechter
Francesca Hayward shines in Christopher Wheeldon’s handsome but overlong ballet
The Royal Ballet’s triple bill seemed designed to scare audiences, rather than attract them
Marianela Nuñez has fine moments in the title role, but Francesca Hayward has the better partner
International Edition