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Watching dancers is a reminder of the wonders of movement after the restrictions of lockdown
The choreographer unveils his debut ballet as the company stands together against harassment
Company to bring visual and performing arts shows to subscribers in UK, US and Canada
This rarely staged piece showed how the choreographer dug deep into the history of dance
The steps spoke vividly in New York City Ballet’s performance
A new warmth seemed to spread through two Balanchine programmes at the Lincoln Center, New York
21st Century Choreographers programme includes pieces by four rising stars
French, American and Russian companies joined to perform Balanchine’s ballet
New York City Ballet’s Here/Now Festival opened with four pieces by the choreographer
Solo performances were the highlights of Balanchine’s awkwardly constructed ballet
New York City Ballet choreographer debuts his darkest but freest dance to date
Two new dance pieces offered woman as a type, and woman as a person
Debut works by dancers in the company justified the management’s faith in them
A rare chance to compare and contrast leading ballet troupes from the old and new world
Christopher Wheeldon’s new piece unfolds to George Gershwin’s mercurial ‘Rhapsody in Blue’
His short career has been meteoric, but choreographer Justin Peck’s first story ballet is a flop
NYCB launches its season with a series of plotless Balanchine ballets
Wendy Whelan plays an angel in this adaptation of a 16th-century Japanese Noh drama
Justin Peck enlivens a Steve Reich score with duets while Kim Brandstrup finds the terror in Debussy
New York City Ballet opens its season with riveting choreography and high-fashion collaborations
Benjamin Millepied seeks to revolutionise the Paris Opera Ballet ensemble; Boris Charmatz sends it pirouetting through the past
Wendy Whelan and Edward Watson came to life in a high-voltage new piece written for them by Arthur Pita
Justin Peck’s choreography created a vivid storytelling structure that rose out of the music
The evening’s ballets, all radically distinct, were a showcase for NYCB’s new generation of dancers
The Age of Anxiety, Dance ’til Dawn and Torobaka
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