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Fumi Kaneko danced her first Odette/Odile alongside Federico Bonelli, who is leaving the company after 19 years
The ENB’s first world war commemoration, as seen from a female perspective, comprises three works similar in scale and mood
Vadim Muntagirov and Marianela Nuñez gave Liam Scarlett’s production premiere the best possible start in life
In 1987 the Royal Ballet controversially ditched the classical costume. Now, after painstaking effort, it is set for a comeback
Standards were high, yet this triple bill was oddly underwhelming
From rooftop saunas and supper clubs to Leonard Bernstein’s centenary
The event brought French and international dance companies together
A Royal Ballet quadruple bill featured the bold sweep of Liam Scarlett’s new piece
Liam Scarlett’s vivid new ballet explores the story of Frankenstein and his deranged Creature
The troupe’s Lincoln Center debut featured three New York premieres of commissioned works
Established works were well danced, but Carlos Acosta’s new ‘Carmen’ is an unhappy staging
This first world war tribute was danced with sincerity
The Age of Anxiety, Dance ’til Dawn and Torobaka
The cast struggled valiantly with Scarlett’s plotless, incoherent piece
Designer costumes and choreography were in perfect accord in a programme of premieres
The relentlessly creative company is presenting 18 short ballets in Les Etés de la Danse festival
International Edition