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Bryony Lavery’s play examines its disturbing subject matter from many angles
Enda Walsh’s ‘mischievous’ adaptation of the Roald Dahl story is a misfire
Enda Walsh’s stage adaptation of Roald Dahl’s immensely popular children’s book
Simon Godwin’s production is first-rate – unlike Eugene O’Neill’s strenuously experimental play
The play sympathetically celebrates Harley Granville-Barker’s view of the essential humanity of theatre
International Edition