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Plus: Rambert’s ‘Death Trap’ at Sadler’s Wells is too heavy on the words
Opening in London, the company’s adaptation of the TV show is performed with tireless energy and verve
A strong, stylish performance of Alexander Whitley’s bravura study in making dance
The dance company’s triple bill culminates in an intoxicating, Brazilian-inspired finale
Rambert’s triple bill had a fascinating new Kim Brandstrup work at its heart
The region’s oldest arts festival returns to its Roman site – in a Hizbollah stronghold near the Syrian border
International Edition