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Often overlooked as a minor part of their practice, jewels are attracting major market attention
Art is the opportunity to have your optics ambushed; it should open doors to different worlds
Holzer has curated a show of Bourgeois’ works in Basel, exploring trauma, anger and sex
The roiling depths of the sculptor’s psyche are explored alongside powerful works in a show at New York’s Jewish Museum
From the staunchly realist to the abstract and surreal, two London exhibitions this summer go far beyond just nudes
The artist’s new works, installed at a Provence château, continue her fascination with confessions
New York exhibition reveals unsuspected layers beyond the famous spider sculptures
The Massachusetts Museum of Contemporary Art has grown to become a contemporary art juggernaut
Dealers arrived in Miami with low expectations, but many were pleased by early business
The irresistible “Nineties” section cleverly sets the context for many of this year’s offerings
An exhibition that pursues a dreamlike course through its galleries
Art Basel’s Unlimited sector displays work too large for most fairs. But who collects it?
A Tate curator since 1988, she talks about the gallery’s giant new extension and her vision for the institution’s future
The artist’s London show expresses the terrible beauty of unbelonging
June opening of Switch House will boost gallery space by 60% and visitor figures by 1m a year
The work of two artists investigates the concept of blackness and their own lived ethnic experience
The Metropolitan Museum’s new outpost opens to the public with a pair of contrasting exhibitions, both full of surprises
It seems the outside world is finally affecting the market, writes Georgina Adam
In Milan, fashion is all about the conversation piece
Designers often cite art as inspiration for their collections. But at what point does homage become rip-off?
The sculptor Louise Bourgeois inspires soft subversion at Simone Rocha
Tapestry, cloth, wool: it’s everywhere. Fabric-based art is not just a female medium
This is a rare retrospective of the work of an artist who insisted on erasing the boundaries between where she ended and her creations began
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