for a number of reasons, such as keeping FT Sites reliable and secure,
personalising content and ads, providing social media features and to
analyse how our Sites are used.
Add this topic to your myFT Digest for news straight to your inbox
This half-theatrical, half-musical double-header was an unexpected success
The first US staging of Weber’s opera in a century should not be missed
An enterprising revival of Richard Strauss’s fascinating, frustrating, rarely performed opera
Sergei Taneyev’s monumental operatic interpretation of Aeschylus receives its US premiere