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John Wilson and his Sinfonia of London use period instruments and the full score for the first time
Bartlett Sher’s production, first seen on Broadway, is a winning blend of lavishness and nuance
A spirited revival of Rogers and Hammerstein’s innovative 1947 musical
Kern and Hammerstein’s clever Mississippi musical makes a jubilant return
In Kern and Hammerstein’s 1927 classic, romance mingles with the serious subject of racial prejudice
Lee Blakeley’s production looks splendid and the music is toe-tappingly good
This new production of the long-neglected Rodgers & Hammerstein show is an absolute joy
The 80-year-old composer-lyricist talks about the tricky balance between art and relationships and why Noël Coward is no good
International Edition