This week, Gris talks to the brilliant 30-year-old playwright Jeremy O Harris about his Broadway sensation Slave Play and his autobiographical "Daddy". This is an interview that will stick with you for a long time. They discuss how black art is re-packaged by white institutions, how black and white audiences respond differently to his work, and how to make theatre more accessible — both for quarantine and for younger audiences (Harris is also an executive producer on Euphoria). Plus: a special appearance from Phoebe Waller Bridge!
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Links and notes from the episode:
–A special gift from us to you: sign up to the FT's Coronavirus Business Update newsletter and get free access to our journalism for 30 days! https://www.ft.com/newsletter-signup/coronavirus?segmentId=0d92d58c-2c7d-178e-6aa8-81529dd53b1b
–The recipe for kuku sabzi, a delicious Persian frittata: https://youtu.be/OJFoIfzY7eI
–A great piece about Jenny Odell's How To Do Nothing: https://www.latimes.com/books/la-ca-jc-jenny-odell-interview-how-nothing-20190509-story.html
–Wesley Morris on ESPN's The Last Dance https://www.nytimes.com/article/the-last-dance-jordan.html
–(More Wesley Morris content) Still Processing dissects Tiger King: https://www.nytimes.com/2020/04/09/podcasts/still-processing-tiger-king.html
–FT review of Becoming on Netflix (paywall): https://www.ft.com/content/e46b7582-8df7-11ea-a8ec-961a33ba80aa
–Aisha Harris' review of Slave Play: https://www.nytimes.com/2019/10/07/opinion/slave-play-broadway.html
–Slave Play's set designer on the choice behind the onstage mirror: https://www.interviewmagazine.com/art/rihanna-mirrors-and-america-processing-slave-plays-set-design
–Genre defying women that Jeremy mentioned: Aphra Behn, Caryl Churchill, Suzan-Lori Parks
–Jeremy's recommendation of Perfect Blue by Satochi Kon: https://en.wikipedia.org/wiki/Perfect_Blue
–Jeremy on Instagram: https://www.instagram.com/jeremyoharris
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